Ignoring The Door

HR ignoring the door Final 2 copy
Ignoring the Door
I recently read a story about a man in a jail cell. Every day he would stand on his tiptoes to look out the window, the small bit of light he could find in his small cell. One day a large gust of wind blew, and the cell door, which had been unlocked the whole time, blew open. By refusing to explore the dark, he had kept himself trapped.  

Man with Parachute

Man-with-Parachute-web-.-

Man with Parachute

Last year I jumped off a mountain.  Since I am afraid of heights, I had not planned such a thing, but I was on a trip and had vowed to a friend to be more to experience. Which is how the 9200 foot tandem paraglide jump in Sun Valley, Idaho happened.

I have been asked by a number of people if it changed me.  The answer is a qualified yes. There was no big “aha!” moment where I suddenly realized I was free and had no fears.  But there was a subtle shift from my lifelong tendency, when afraid, to say “no,” to being able to remind myself that I jumped off a mountain, which makes whatever is scaring me no longer so big.

This piece is was inspired by that jump.  It is about the metaphor of taking a leap into something that we know probably will not kill us, but scares us terribly anyway.  And it is about bringing something back: the courage to jump again and again.

The Meaning of the Wu Wei Cowboy

 

Two New Pieces and Two Frequently Asked Questions

cc-balancing-act

Balancing Act, 36″ x 62″, inkjet on aluminum, 2014

I am frequently asked two questions. The first is, “How long does it take you to do one of these?” The second is almost always in the form of a statement: “I’ll bet you have a lot of fun doing these.”
Neither answer is simple. To the “how long” question, the answer is “around 40 hours.” This is just an average, and doesn’t take into consideration the time I spend taking all of the photographs, or the times that I trash an image I’ve spent many hours working on because it’s not going anywhere. Then there’s the issue of my obsessive indecisiveness, whereby I declare something finished only to return to it the next morning to find that the piece spoiled during the night and needs more work.
Balancing Act, included with this post, is a case in point. Its true name should be Balancing Act #10 or #12. This is because I “finished” it a few months ago, so quickly that I was amazed and pleased it did not take the usual 40 or more hours. I then posted it, only to realize it still had significant issues. So I began working on it again until it was truly “finished.” This “finishing” and reworking went on so long I finally decided that the piece (and I) needed time to breathe. I recently returned to Balancing Act with an open and positive attitude, and I’m happy to say that it is really, finally finished…again….for now.
Why, you might be asking, was Balancing Act such a struggle to “finish?” I’d say it has something to do with the lack of balance that I felt this winter. So to end the longest rambling answer to a simple question, my pieces often take more hours than I can justify, for reasons that have everything to do with the intersection of life and art.

Here’s hoping we all have a balanced spring.

The Art Museum at The University of Memphis is showing STRUGGLE TO EVOLVE BEFORE THE END OF TIME.

journey to the next day

This is my series on our struggle and our interaction with the world and our inner reaction to it
Here is a link to the Museum Website. http://www.memphis.edu/amum/darylthetford.php

This is my series on our struggle and our interaction with the world and our inner reaction to it
Here is a link to the Museum Website. http://www.memphis.edu/amum/darylthetford.php

Denver firm Brownstein, Hyatt, Faber and Schreck purchase two pieces.

Denver firm Brownstein, Hyatt, Faber and Schreck purchase two pieces.

Brownstein, Hyatt, Faber and Schreck recently purchased two pieces for their offices in Denver.

I would like to thank Kay Brouillette and Chris Fullerton at Sapiro Art Consultants for their work on this project.

You can find more about them and see some of their work at this website. http://www.sapiroart.com/

Temple Beth-el Art Show, St Petersburg, Florida

I was recently sitting around thinking about food and lists. I had thought it would be fun to list some my favorite restaurants of 2013. The list is extensive and diverse, ranging from a vegan asian place in Providence, RI to the first place on my list in Tampa, FL.

I have since rethought the list idea, but since I am heading to St Petersburg, FL again for the Temple Beth-el Art fundraiser, I realize that I am excited not just about returning to the show ( which I am ) but also about returning to two of my favorite restaurants in the area.

I was in Tampa running an errand before the show began last year and decided to “google” the best places to eat Cuban food in the area. Two restaurants in the Ybor City section of Tampa came to the top of the search as one might expect. One of the top three, however really grabbed my attention. It was La Teresita Grocery. ( Columbus Ave at Lincoln in Tampa).

In La Teresita Grocery, a huge buffet of Cuban food is on display. For $5.00 I was able choose a meat, ranging from goat to chicken and 2 sides. So, the huge quantity and amazing fresh quality of chicken, black beans, rice and plantains cost me $5.00. I know I mentioned the price before, but is bears repeating. It would have still been a bargain at $12. I sat a a long community table and had one of the best meals of the year.
coln ) . http://www.yelp.com/biz/la-teresita-grocery-tampa?nb=1

The second place in the region is the Taco Bus on Central Avenue in St Petersburg, FL. I was browsing the antique shops and other interesting places along Central Avenue when I came upon a large line of people ordering food. While I assume that the bus is indeed mobile when they want it to be, a large indoor/outdoor seating infrastructure has built up around it making it an great place to eat and people watch. The menu is large and diverse and the food is fantastic. http://www.taco-bus.com/

See you in Florida.

REFLECTIONS AND RESOLUTIONS: CREATING NEW WORLDS IN DIGITAL ART

REFLECTIONS AND RESOLUTIONS: CREATING NEW WORLDS IN DIGITAL ART

Man and Media II ( pictured ) is one of twelve images that I have at the Lincoln Center in Fort Collins, Colorado for the REFLECTIONS and RESOLUTIONS exhibit. All twelve of my pieces included are are part of the “Struggle for Evolution Before the End of Time” series.

The three other artists who “share the new worlds they’ve imagined through the media of Digital Art” are Fran Forman, Osvaldo Buccafusca and Daniel Fonken.

The show will run from opening night on January 17, 2014 to March 8, 2014.

Thank to curator Jeanne Shoaff for bringing the show together.

The Enduring Appeal of the Apocalypse

The Enduring Appeal of the Apocalypse

Back in May of 2011, I did this one-off as a tribute and commemorative poster for the end of the world. I had just heard about our love of end of the world stories on NPR and then came across an article in the Wall Street Journal, which is where I got the title. I do not often bring pieces back out, but somehow it seemed fitting for Halloween. Maybe it is the scariest piece I have… not that everyone would agree with that, for reasons I would not want to know.

As a footnote, I seldom use photos as my base that I do not personally take, but in this case, the person pictured is my father at 21. Those are my arms and Andy Warhol’s eyes. The people in the crowd were looking at and photographing the Mona Lisa when I photographed them

train

train

I took this photograph somewhere between Denver and Des Moines this year. I used it as a template for my new landscape series, which, if you do not know me, is a real stretch. I have combined multiple photos of weathered paint and paper, graffiti, etc

This piece is 66″ x 44″ and will be printed on aluminum in an edition of 5.